But Mostly We Waited for Spring, When There Could Be Gardens
Steven Zevitas Gallery, 2022
Each painting in this series is built on a photograph from the Farm Securities Administration, an artifact of one of two brief moments in the 20th century when the federal government directly supported artists (the WPA and CETA).
That Freed Self, 60” x 60”
Doing Politics Quietly, 25” x 37”
She Gather Them and Give Them Back to Me, 60” x 60”
The Best of Youth, 37” x 37”
A Reflection, 29” x 36”
Bare Feet in Grass, 35” x 58”
More Yesterday Than Anybody, 25” x 19”